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Laouto (Lute)

Laouto (Lute)

The Cypriot laouto is a plucked string instrument with a distinctive accompaniment style that plays a crucial rhythmic and harmonic role in the island's music, supporting both instrumental ensembles and vocal traditions while embodying strong regional identities. Its pear-shaped body and resonant tone allow for improvisation within ancient modal systems inherited from Byzantine and Ottoman influences, making it a cornerstone of Cypriot folk expression. This instrument not only preserves historical musical practices but also adapts to contemporary settings, raising interest in how such traditions endure in a modern world. A Core Element of Cypriot Musical Heritage The laouto, a lute-like instrument central to Cypriot folk music, features a large pear-shaped body, long neck, and four strings tuned in a way that facilitates both melody and rhythm. Crafted from local woods like mulberry or walnut, with a soundboard often made from spruce or cedar for resonance, it produces a warm, bright sound that blends seamlessly with other instruments. In traditional settings, the laouto provides the backbone for dances, songs, and improvisations, its strings plucked with a plectrum to create driving rhythms and harmonic support. This role extends beyond mere backing; it shapes the music's texture, allowing vocalists or lead instruments like the violin to soar while maintaining a grounded, percussive foundation. Regional variations in playing styles—more ornate in the south, rhythmic…

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Nea Paphos Ancient Capital of Roman Cyprus

Nea Paphos Ancient Capital of Roman Cyprus

Nea Paphos occupies a coastal plain on the southwestern shore of Cyprus, adjacent to the modern city of Paphos. Founded in the 4th century BC by Nikokles, the last king of nearby Palaipaphos, Nea Pafos then went from strength to strength, particularly under the Ptolemaic kingdom from the 3rd century BC. The city was located on a peninsula surrounded by a natural bay and between the two small hills called Fanari and Fabrika. Nea Paphos was founded at the turn of the 4th and 3rd century BC as an important harbour located on the sea trade route from Rhodes to Alexandria. Thanks to its strategic location, from the 2nd century BC Nea Paphos became the capital of Cyprus and the seat of the strategos, general managing the island. The site preserves remains of villas, palaces, theaters, and tombs that span from the Hellenistic period through the Byzantine era, making it one of the Mediterranean's most significant archaeological areas. Historical Background Thanks to the extensive and modern port and access to cider wood from the nearby forests, Nea Paphos became a base of Ptolemaic navy and a military garrison made up of mercenaries was stationed here. The multicultural character of the city was probably complemented by many sailors and merchants, but also by pilgrims who, through the eastern city gate, set…

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Panigyria Festivals and Village Traditions

Panigyria Festivals and Village Traditions

Village festivals in Cyprus, known as panigyria, are feast-day gatherings where worship, food, music, and shared space briefly restore villages to their fullest social life. Anchored to patron saints and seasonal rhythms, they pull families back from cities and the diaspora, turning squares and streets into places of blessing, hosting, and collective memory. This article explains how panigyria work from procession to shared tables, why each village’s celebration feels distinct, and how visitors can participate without disrupting the local rhythm. At a glance • What they are: village feast days tied to saints, seasons, or harvests• Where they thrive: rural and mountain villages across Cyprus• Best time: late spring through early autumn• What defines them: faith, food, music, shared space, and continuity• Why they matter: they keep village identity active, not symbolic A Festival Built on Return For most of the year, Cypriot villages move quietly. Families live apart, younger generations work in cities, and daily life stays contained behind closed doors. A festival changes that rhythm. A panigyri is a reason to return. People come back to their village not as visitors but as participants. Doors open. Food is prepared in quantities meant for sharing. The village square stops being a shortcut and becomes the centre again. What might look like a celebration from the outside is, at its…

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