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Famagusta Cultural Heritage Museum

Famagusta Cultural Heritage Museum

The Famagusta Cultural Heritage Museum stands as a solemn witness to one of Cyprus's most painful chapters. Built in 1998 on the edge of the United Nations buffer zone in Deryneia, this center offers visitors a rooftop view across barbed wire into Varosha, the abandoned resort district that has remained frozen in time since August 1974. The Cultural Centre of Occupied Famagusta operates as both a museum and an observation point. The facility houses a multipurpose room where visitors watch audiovisual presentations about Famagusta before the 1974 Turkish invasion, when it served as the island's premier tourist destination and cultural hub. The museum displays photographs, posters, and artifacts documenting daily life in Famagusta when the city was home to 40,000 residents. Historical Background Deryneia village sits 2 kilometers south of Famagusta, positioned directly on the dividing line that has split Cyprus since 1974. The village lost approximately 75% of its territory to the Turkish occupation, including the lower part of the settlement known as Kato Deryneia and most of its agricultural land. Before 1974, residents could walk to the sea in minutes. After the invasion, barbed wire and military posts blocked their access. The village population includes about 1,000 refugees who fled from other areas during the invasion and settled in Deryneia. Another 3,000 former residents of Kato Deryneia scattered…

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Morphou Plain

Morphou Plain

The Morphou Plain spreads across northwestern Cyprus as the island's most fertile agricultural region. The plain covers several hundred square kilometres of exceptionally productive farmland watered by underground aquifers and seasonal streams. The town of Morphou serves as the region's commercial centre with a current population of approximately 18,000 to 24,000 people. shutterstock-com The area produces over half of Cyprus's citrus fruits, primarily oranges, lemons, and grapefruits, along with substantial quantities of apples, vegetables, melons, and strawberries. The distinctive red soil, rich in minerals and organic matter, creates ideal conditions for intensive agriculture. Unlike much of Cyprus, which struggles with water scarcity, the Morphou Plain benefits from abundant groundwater that allows year-round cultivation and supports the island's most productive farming operations. Historical Background The Morphou region has sustained human settlement since at least the Bronze Age, with archaeological evidence suggesting continuous occupation for over 4,000 years. The fertile soil and reliable water supplies attracted early agricultural communities who recognized the land's exceptional productivity. The ancient city-kingdom of Soli developed on the plain's coastal edge, thriving from approximately the 11th century BC until Arab raids destroyed it in the 7th century AD. facebook-com Soli's prosperity derived from two resources: rich copper deposits in the nearby hills and fertile agricultural lands that fed mining communities and produced surplus for export. According to…

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Cyprus Folk Art Museum

Cyprus Folk Art Museum

The Cyprus Folk Art Museum preserves the island's traditional crafts in a building that once housed archbishops and witnessed moments that changed Cypriot history. The museum occupies the Old Archbishopric building on Archbishop Kyprianos Square in central Nicosia. This location places it beside St. John's Cathedral, the Byzantine Museum, the National Struggle Museum, and the current Archbishop's Palace. The building itself dates to the 15th century and features Gothic architecture with later additions. In the 13th century, the area was controlled by French rulers and served as a monastery for the Benedictine order. Later, the Order of St. John erected a church dedicated to their patron saint on the grounds. In 1218, Hugo I was buried in this church. When the Ottoman period ended in 1878, the Greek Orthodox Church took over the premises. Historical Background The Society of Cypriot Studies founded the museum in 1937. A group of pioneering scholars led by Constantinos Spyridakis established the society in 1936 with the goal of collecting and preserving Cypriot folk art. Adamantios Diamantis, a painter and art teacher who had studied at the Royal College of Art in London alongside Henry Moore and Barbara Hepworth, became the first director when the museum opened. The Society approached Archbishop Makarios III in the early 1960s after the seat of the Archbishop moved to…

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